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Buddy Rich / Best of Buddy Rich, Vol. 1, 1950-1955
Формат записи/Источник записи: [TR24][OF] Издание: Remastered Год издания/переиздания диска: 2025 Жанр: Jazz Издатель (лейбл): ZOROTY Продолжительность: 01:09:37 Наличие сканов в содержимом раздачи: Нет Треклист: 01 - Carnegie Blues (Airmail Special) 07:01 02 - Let's Fall in Love 02:50 03 - Me and My Jaguar 03:50 04 - Just Blues 06:33 05 - Sweet' Opus No. 1 02:38 06 - Bongo Bass and Guitar 03:33 07 - Strike It Rich (That's Rich) 06:33 08 - Sportin, Life -Sweetie Pie 02:38 09 - Everything Happens to Me 03:38 10 - Wrap Your Troubles in Dreams 03:19 11 - Sure Thing 02:39 12 - Glad to Be Unhappy 03:16 13 - Sunday 10:26 14 - The Monster 10:43 Контейнер: FLAC (*.flac) Тип рипа: tracks Разрядность: 24/44,1 Количество каналов: 2.0Лог проверки качестваLossless Audio Checker 2.0.7 logfile from Tuesday 21 January 2025 07:58:08 PM File: E:\Downloads\Music\Jazz\Buddy Rich - Best of Buddy Rich, Vol. 1, 1950-1955 - 2025 (24-44)\01 - Buddy Rich - Carnegie Blues (Airmail Special) (Remastered).flac Result: Clean File: E:\Downloads\Music\Jazz\Buddy Rich - Best of Buddy Rich, Vol. 1, 1950-1955 - 2025 (24-44)\02 - Buddy Rich - Let's Fall in Love (Remastered).flac Result: Clean File: E:\Downloads\Music\Jazz\Buddy Rich - Best of Buddy Rich, Vol. 1, 1950-1955 - 2025 (24-44)\03 - Buddy Rich - Me and My Jaguar (Remastered).flac Result: Clean File: E:\Downloads\Music\Jazz\Buddy Rich - Best of Buddy Rich, Vol. 1, 1950-1955 - 2025 (24-44)\04 - Buddy Rich - Just Blues (Remastered).flac Result: Clean File: E:\Downloads\Music\Jazz\Buddy Rich - Best of Buddy Rich, Vol. 1, 1950-1955 - 2025 (24-44)\05 - Buddy Rich - Sweet' Opus No. 1 (Remastered).flac Result: Clean File: E:\Downloads\Music\Jazz\Buddy Rich - Best of Buddy Rich, Vol. 1, 1950-1955 - 2025 (24-44)\06 - Buddy Rich - Bongo Bass and Guitar (Remastered).flac Result: Clean File: E:\Downloads\Music\Jazz\Buddy Rich - Best of Buddy Rich, Vol. 1, 1950-1955 - 2025 (24-44)\07 - Buddy Rich - Strike It Rich (That's Rich) (Remastered).flac Result: Clean File: E:\Downloads\Music\Jazz\Buddy Rich - Best of Buddy Rich, Vol. 1, 1950-1955 - 2025 (24-44)\08 - Buddy Rich - Sportin, Life -Sweetie Pie (Remastered).flac Result: Clean File: E:\Downloads\Music\Jazz\Buddy Rich - Best of Buddy Rich, Vol. 1, 1950-1955 - 2025 (24-44)\09 - Buddy Rich - Everything Happens to Me (Remastered).flac Result: Clean File: E:\Downloads\Music\Jazz\Buddy Rich - Best of Buddy Rich, Vol. 1, 1950-1955 - 2025 (24-44)\10 - Buddy Rich - Wrap Your Troubles in Dreams (Remastered).flac Result: Clean File: E:\Downloads\Music\Jazz\Buddy Rich - Best of Buddy Rich, Vol. 1, 1950-1955 - 2025 (24-44)\11 - Buddy Rich - Sure Thing (Remastered).flac Result: Clean File: E:\Downloads\Music\Jazz\Buddy Rich - Best of Buddy Rich, Vol. 1, 1950-1955 - 2025 (24-44)\12 - Buddy Rich - Glad to Be Unhappy (Remastered).flac Result: Clean File: E:\Downloads\Music\Jazz\Buddy Rich - Best of Buddy Rich, Vol. 1, 1950-1955 - 2025 (24-44)\13 - Buddy Rich - Sunday (Remastered).flac Result: Clean File: E:\Downloads\Music\Jazz\Buddy Rich - Best of Buddy Rich, Vol. 1, 1950-1955 - 2025 (24-44)\14 - Buddy Rich - The Monster (Remastered).flac Result: Clean
DRfoobar2000 2.0 / Dynamic Range Meter 1.1.1 log date: 2025-01-21 19:58:37 -------------------------------------------------------------------------------- Analyzed: Buddy Rich / Best of Buddy Rich, Vol. 1, 1950-1955 -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR12 0.00 dB -14.91 dB 7:01 01-Carnegie Blues (Airmail Special) DR10 0.00 dB -12.19 dB 2:51 02-Let's Fall in Love DR10 0.00 dB -11.86 dB 3:51 03-Me and My Jaguar DR9 0.00 dB -10.66 dB 6:34 04-Just Blues DR9 0.00 dB -11.02 dB 2:39 05-Sweet' Opus No. 1 DR10 0.00 dB -12.97 dB 3:33 06-Bongo Bass and Guitar DR10 0.00 dB -12.48 dB 6:33 07-Strike It Rich (That's Rich) DR9 0.00 dB -11.54 dB 2:38 08-Sportin, Life -Sweetie Pie DR12 0.00 dB -13.93 dB 3:38 09-Everything Happens to Me DR11 0.00 dB -13.03 dB 3:19 10-Wrap Your Troubles in Dreams DR11 0.00 dB -15.04 dB 2:40 11-Sure Thing DR12 0.00 dB -14.85 dB 3:17 12-Glad to Be Unhappy DR10 0.00 dB -11.53 dB 10:26 13-Sunday DR10 0.00 dB -10.98 dB 10:44 14-The Monster -------------------------------------------------------------------------------- Number of tracks: 14 Official DR value: DR10 Samplerate: 44100 Hz Channels: 2 Bits per sample: 24 Bitrate: 1486 kbps Codec: FLAC ================================================================================ Источник (релизер): QobuzСоставBen Webster Sax (Tenor) Benny Carter Sax (Alto) Bob Lawson Baritone Bob Poland Baritone Buddy Rich Drums, Vocals Frank Wess Sax (Tenor) Freddie Green Guitar Georgie Auld Sax (Tenor) Hank Jones Piano Harry "Sweets" Edison Trumpet Howard Gibeling Director, Vocals Jack Costanzo Bongos Jimmy Rowles Piano Joe Comfort Bass Joe Newman Quartet Trumpet Lee Castle Strings, Trumpet Louie Bellson Drums, Strings Milt Bernhart Trombone Oscar Peterson Piano Ray Brown Bass Thad Jones Trumpet Tom Brown Sax (Tenor)Об исполнителе (группе)As the Classics Chronological Series works its way into the early and mid-'50s, the magnitude of producer Norman Granz's achievement becomes increasingly apparent. Some of the greatest jazz musicians of all time -- Oscar Peterson, Charlie Parker, Dizzy Gillespie, Billie Holiday, Johnny Hodges, Lester Young -- were signed by Granz at a time when many Afro-American jazz musicians were struggling to get steady work, and jazz in general was beginning to take a back seat to pop vocals, R&B and rock & roll. Drummer and bandleader Buddy Rich had only just begun to lead a big band when the post-WWII restructuring of the entertainment industry edged him out (see Volume one in Rich's complete chronological recordings, 1946-1948 [Classics 1099]). He was able to continue making records by working with smaller groups, oftentimes at recording sessions supervised by Norman Granz. As the mastermind behind Jazz at the Philharmonic, Granz was adept at documenting live jam sessions. Fortunately the recording equipment was plugged in and running when Buddy Rich, Ray Brown and Hank Jones cooked up a frantic seven-minute version of "Air Mail Special" in front of a rowdy audience at Carnegie Hall on September 16, 1950. This explosive jam, which consists mainly of an extended crowd-pleasing drum solo, serves as a fiery prologue to the first of the Buddy Rich/Norman Granz studio sessions, all of which resulted in collectively swung jazz of the highest order. Granz had a knack for bringing together uncommonly gifted musicians, and Rich was very lucky to find himself recording with pianist Oscar Peterson and guitarist Herb Ellis; with trumpeters Harry "Sweets" Edison, Thad Jones and Joe Newman; and with saxophonists Benny Carter, Georgie Auld, Willie Smith, Ben Webster and Frank Wess. Buddy Rich is also heard exercising his tonsils. Sometimes compared with Frank Sinatra (his rival for the attentions of vocalist Edythe Wright during the Dorsey days), Rich was capable of crooning with convincing suavity, as could Woody Herman. Aside from his quasi-hip vocal on the novelty titled "Bongo, Bass and Guitar," this compilation contains four tracks with Rich standing away from the drums (Louie Bellson was brought in to man the kit) and concentrating upon the art of emitting songs through the mouth, accompanied by a small jazz combo sweetly augmented with strings under the direction of Howard Gibeling. Much more in line with Buddy Rich's regular modus operandi, this segment of his chronology concludes with two extended instrumental jams, each exceeding ten minutes in duration, recorded in New York on May 16, 1955. Arrogant, selfish, cruel and egotistical to the point of megalomania, Buddy Rich was an able percussionist capable of generating a lot of excitement with his drums and cymbals; he could drive an ensemble with plenty of steam, but most of his showy extended solos, which rely a lot on convulsive bouts of press rolling and restless parade ground paradiddling, lack the substance, depth and organic coherence of expanded improvisations created by Art Blakey, Max Roach and Elvin Jones. To call Buddy Rich the world's greatest drummer is just blarney. The person who made that claim most often was Buddy Rich himself.Об альбоме (сборнике)Review by arwulf arwulf As the Classics Chronological Series works its way into the early and mid-'50s, the magnitude of producer Norman Granz's achievement becomes increasingly apparent. Some of the greatest jazz musicians of all time -- Oscar Peterson, Charlie Parker, Dizzy Gillespie, Billie Holiday, Johnny Hodges, Lester Young -- were signed by Granz at a time when many Afro-American jazz musicians were struggling to get steady work, and jazz in general was beginning to take a back seat to pop vocals, R&B and rock & roll. Drummer and bandleader Buddy Rich had only just begun to lead a big band when the post-WWII restructuring of the entertainment industry edged him out (see Volume one in Rich's complete chronological recordings, 1946-1948 [Classics 1099]). He was able to continue making records by working with smaller groups, oftentimes at recording sessions supervised by Norman Granz. As the mastermind behind Jazz at the Philharmonic, Granz was adept at documenting live jam sessions. Fortunately the recording equipment was plugged in and running when Buddy Rich, Ray Brown and Hank Jones cooked up a frantic seven-minute version of "Air Mail Special" in front of a rowdy audience at Carnegie Hall on September 16, 1950. This explosive jam, which consists mainly of an extended crowd-pleasing drum solo, serves as a fiery prologue to the first of the Buddy Rich/Norman Granz studio sessions, all of which resulted in collectively swung jazz of the highest order. Granz had a knack for bringing together uncommonly gifted musicians, and Rich was very lucky to find himself recording with pianist Oscar Peterson and guitarist Herb Ellis; with trumpeters Harry "Sweets" Edison, Thad Jones and Joe Newman; and with saxophonists Benny Carter, Georgie Auld, Willie Smith, Ben Webster and Frank Wess. Buddy Rich is also heard exercising his tonsils. Sometimes compared with Frank Sinatra (his rival for the attentions of vocalist Edythe Wright during the Dorsey days), Rich was capable of crooning with convincing suavity, as could Woody Herman. Aside from his quasi-hip vocal on the novelty titled "Bongo, Bass and Guitar," this compilation contains four tracks with Rich standing away from the drums (Louie Bellson was brought in to man the kit) and concentrating upon the art of emitting songs through the mouth, accompanied by a small jazz combo sweetly augmented with strings under the direction of Howard Gibeling. Much more in line with Buddy Rich's regular modus operandi, this segment of his chronology concludes with two extended instrumental jams, each exceeding ten minutes in duration, recorded in New York on May 16, 1955. Arrogant, selfish, cruel and egotistical to the point of megalomania, Buddy Rich was an able percussionist capable of generating a lot of excitement with his drums and cymbals; he could drive an ensemble with plenty of steam, but most of his showy extended solos, which rely a lot on convulsive bouts of press rolling and restless parade ground paradiddling, lack the substance, depth and organic coherence of expanded improvisations created by Art Blakey, Max Roach and Elvin Jones. To call Buddy Rich the world's greatest drummer is just blarney. The person who made that claim most often was Buddy Rich himself.
[TR24][OF] Buddy Rich - Best of Buddy Rich, Vol. 1, 1950-1955 (Remastered) - 2025 (Jazz) [uztracker.me-59194].torrent
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